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My First Steps as an Inclusive Actor or Dancer

My First Steps as an Inclusive Actor or Dancer

European Union (2024–2025)

Take the stage - Your journey starts here

My First Steps as an Inclusive Actor or Dancer

European Union (2024–2025)

Take the stage - Your journey starts here

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About

Welcome to the website of the project "My First Steps as an Inclusive Actor or Dancer" This website was created as part of a project supported by the European Union (2024–2025), in partnership with Integration through Art (Germany) and Asociación DAR (Spain).

Info

Here you will find information on how people with disabilities can access theatre and dance:

– theatre and dance schools with inclusive programs
– examples of inclusive projects
– interviews with artists and educators
– methods and practical recommendations
– our guide to inclusive arts education

Our goal is to support people with disabilities in purposefully preparing for professional training in theatre and dance. Inclusive art should not be an exception but a space of equal opportunities for everyone.

Thank you for your interest!

Methodology of Inclusive Theatre Practice with Young People with Autism

Inclusive art is not simply a fashionable term; it is a path toward profound social transformation, capable of changing the very nature of education, creativity, and professional development for people with disabilities. Inclusive education in the arts seeks to ensure accessibility, participation, and equal opportunities for everyone, regardless of physical, mental, or neurodivergent differences. Inclusive educational models aim to value each person’s unique way of learning and self-expression rather than requiring individuals to adapt to rigid institutional norms.

Opening Pathways for Young People with Disabilities in Acting and Dance Studies

Many young people with disabilities want to study acting or dance – yet access across the EU is often still very limited:

  • Less than 20% of higher education institutions offer programs specifically for students with mobility impairments.
  • Less than 10% provide accessible materials or sign language interpreters.

Key Barriers at a Glance

  • Physical Barriers
    Many drama and dance schools lack accessible entrances, stages, or training spaces. Uneven floors or difficult-to-reach studios make training challenging for people with mobility impairments.
  • Organizational and Structural Barriers
    Standardized entrance exams are often not adapted to the needs of students with disabilities. Application forms and informational materials are frequently not accessible, e.g., lacking easy-to-read text or alternative communication formats.
  • Cultural and Social Barriers
    Expectations for “typical” behavior or technical standards in acting and dance can be discouraging. The low visibility of artists with disabilities makes identification and motivation more difficult.

As two organizations with years of experience in inclusive arts, we have set ourselves the goal of thoroughly researching this situation. We aim to highlight opportunities, map pathways, and provide guidance so that high school graduates with disabilities can pursue their artistic studies.

Our approach: Making inclusion visible from the very beginning – so that diversity on stage and in dance becomes the norm.

Inclusive conference on education for people with mental disabilities in Europe

Programs & Initiatives for Young People with Disabilities in Europe

Here is an overview of programs, initiatives, and support opportunities in Europe that help young people with disabilities access education, theater, and cultural projects.

How These Programs Can Help You

These initiatives provide:
✔ Workshops, trainings, and professional development
✔ International networks and exchange opportunities
✔ Funding, residencies, and paid work opportunities
✔ Mentoring and individual support
✔ Visibility in professional theater and cultural fields
✔ Collaboration with universities and funding institutions

🇪🇺 Europe-Wide Programs & Networks

  • Europe Beyond Access – The largest EU-wide program promoting artists with disabilities in dance and theater. Supports international projects, workshops, residencies, and networks to reduce barriers and increase visibility. (disabilityartsinternational.org)
  • We Want More! – Capacity Building for Inclusive Theatre Artists – European workshop in Lisbon (Portugal), bringing together theater makers with and without disabilities to strengthen inclusive practices and market access. (teatrosaoluiz.pt)
  • Inclusive Theater(s) – Creative Europe project promoting inclusive theater practices for blind, deaf, or differently-abled audiences and creators across multiple countries. (theamatheater.gr)
  • European Arts & Disability Cluster (ADICLUS) – Network of artists and cultural organizations across Europe, promoting professional opportunities for people with disabilities in the arts. (europebeyondaccess.com)

🇩🇪 Germany – Programs & Initiatives

  • pik – Program for Inclusive Artistic Practice – Funded by the Kulturstiftung des Bundes, supports inclusive theater and art projects, mentoring, and networks for artists with disabilities. (kulturstiftung-des-bundes.de)
  • EUCREA (Art & Inclusion Association) – Active in Germany, Austria, and Switzerland, promoting better opportunities, education, and visibility for artists with disabilities. (eucrea.de)

🇬🇧 United Kingdom

  • Unlimited (Arts Initiative) – Supports and funds works by deaf and disabled artists in the arts and performance, often through public funding. (en.wikipedia.org)
  • Headway Arts – Arts and theater programs for people with learning disabilities or neurodivergence, including workshops, festivals, and creative projects. (en.wikipedia.org)

🇪🇸 🇮🇹 Spain and Other European Countries

  • Accessible Theater (Spain) – Initiative to promote barrier-free theater and inclusion in Spanish theaters. (mercatflors.cat)
  • Teatro Europa – Alliance promoting international exchange for young people in European theaters, including internships and professional mobility. (teatro-europa.eu)

Inclusive Theater Groups & Networks – Examples

  • Hijinx Theatre (Wales, UK) – One of Europe’s oldest inclusive theater ensembles, involving people with learning disabilities or autism in creative productions. (en.wikipedia.org)
  • Deaf Theatre Network Europe (Vienna) – Network of professional deaf theaters across Europe focusing on exchange, promotion, and visibility. (en.wikipedia.org)
  • THEATER et cetera (Munich, Germany) – Inclusive music, dance, and theater projects for people with psychological or physical impairments. (theater-etc.de)
  • RambaZamba & Thikwa (Berlin, Germany), Freie Bühne München, Glanzstoff (Wuppertal) – Inclusive ensembles creating professional opportunities for performers with disabilities.
  • Malaria (Austria), JETZT! (Vienna), BühnenSalon e.V. (Cologne), Level 11 (Bremen) – Professionalization programs, residencies, and artistic training. (https://www.level11projekt.de/)
  • Support Associations: Lebenshilfe, Sonnenblume, EUCREA – offering workshops, mentorship, and networking.

Accessibility as a Practice of Openness

Creating an inclusive and barrier-free learning environment is an ongoing process — one that requires reflection, dialogue, and a willingness to learn. This Accessibility Questionnaire is designed for acting schools and educational institutions that wish to take a closer look at their current structures, practices, and attitudes in relation to accessibility and inclusion. The questionnaire does not aim to evaluate or rank institutions. Instead, it offers a structured opportunity for self-reflection: to identify existing strengths, recognize barriers — physical, digital, social, and structural — and discover areas for meaningful development. Accessibility is understood here not as a fixed standard, but as a living practice that evolves through awareness, responsibility, and care. By taking part in this survey, schools contribute to a broader conversation within the European educational and cultural context. The collected insights will help make challenges visible, highlight good practices, and support the development of concrete recommendations for a more inclusive future in performing arts education. Participation is voluntary and can be anonymous. The questionnaire can be completed in stages and is intended as a supportive tool for institutions that want to open their spaces, make their environments more accessible, and actively welcome people with diverse bodies, abilities, and experiences. We invite you to take part — as a step toward greater openness, shared learning, and inclusive transformation.

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